A review of the Fashion Museum, Bath:

The history of fashion always brings out the geek in me and the current exhibition at the Fashion Museum in Bath certainly had that effect. The current exhibition is advertised as a History of Fashion in 100 Objects but I would describe it as a whistle stop tour of the history of the world. The attire of our ancestors reflects what was happening in the world economically and socially and each garment, shoe and accessory has been carefully selected to represent a defining moment in time. For example, the 1840’s striped wool dress in the photo below, demonstrates the decade that saw the patent of the sewing machine submitted by Elias Howe. Or Christian Dior’s ‘New Look’ created in 1947, an outfit consisting of a wide shouldered jacket and a large ballooned skirt. It was both admired and criticised as the design used more than double the amount of fabric of utilitarian clothing from the same decade. British customers were still restricted by rationing but the revolutionary design represents the end of the austerity of World War II. Moving on, we reach the dizzy heights of the mini skirt and psychedelic prints of the 1960s, a symbol of a sexually liberated generation.

Wool dress from 1840s, Fashion Museum, Bath

 

1958 Beaded evening dress by Norman Hartnell, commissioned to promote the use of synthetic fabrics in high end fashion and worn by Elizabeth Taylor.

I stopped briefly to take a photo for a mum and her daughter, dressed up in empire line dresses and bonnets, as if they had stepped straight out of a Jane Austen novel. The 100 Objects exhibition continues in chronological order transporting me to the present decade, with designs by Jonathan Anderson, who was the first fashion designer to win both the Menswear and Womenswear title in the same year, 2015.

 The Fashion museum, previously known as the Museum of Costume, was founded due to the generosity Doris Langley Moore who donated her collection to the city in 1963. It is housed in the Assembly Rooms not far from Nash’s Royal Crescent.
The History of Fashion in 100 Objects is on until January 2019 ‘celebrating fashion from the 1600’s to the present day’. Half way through the exhibition is a detour into a sister exhibition, Lace in Fashion. It guides you from Lace’s intricate hand created beginnings to the technological advances of today. 

 I was lucky enough to stay at the award winning Gainsborough Hotel, a short walk from Bath Spa station. Champalimaud Design, based in New York, have managed to achieve the impossible task of creating a warm, welcoming and yet modern space in the Grade II listed building. The focus of the hotel is it’s ‘Spa Village‘ which makes the most of its adavantageous access to one of the city’s natural spa that provides the hotel’s pools with thermal mineral rich waters. A dip in one of the Spa Village thermal pools seemed to fizz away all the aches from spending too long at a desk. I now understood why the Romans, Georgians and Victorians flocked to the city to improve their health. A welcome plate of handmade truffles, a mixologist that devised a bespoke cocktail based on my favourite flavours and a restaurant serving seasonal and delicately flavoured food, the Gainsborough is on my list of favourite hotels! My stay in Bath was far too short and I left with a promise to return for a longer trip to the Georgian city.

  The Gainsborough hotel offer spa days and overnight packages when booked on their website. The featured image is of a 1930’s ball gown by Donguy of Paris.